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Vanilla Pop: Sweet Sounds from Frankie Avalon to ABBA ReviewJoseph Lanza did something brave and integral with this book by dismissing the notion that American black suffering in music is a panacea for good taste and audio appreciation. Lanza not only made affluent white guilt seem ridiculous and empty, but he put forth all the flavors that made '50s and '60s white pop, rock and romanticism so great.Doubtful anyone at this point would argue that early black jazz, blues and R&B are powerful evocations of American life in the first half of the 20th Century. Lanza, however, goes beyond viewing white pop music as a mere novelty of '50s naivete. The Norman Rockwell notion of songs like "Sh'Boom" or various Mitch Miller Singers albums are appreciated for their sonic beauty and delectible arrangement. These songs are as much flight-of-fancy... full of good times... as they are relics of a bygone era. Lanza's text holds works by the Ray Conniff Singers, the Lettermen, the Cascades and Harper's Bizarre up as All-American pieces of pop-art, giving them historical context and some good old journalistic insight on how to enjoy the music.
For my money, I haven't seen a better chapter written about producer Curt Boettcher yet. Here's hoping a Boettcher book is somewhere in the works. Until then, pick "Vanilla Pop" up and find out about the celestial sounds that inspired and sustained Boettcher and other creative minds.Vanilla Pop: Sweet Sounds from Frankie Avalon to ABBA Overview
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